Phil writes: And she's rounded it off with not only a new and then a classic Burt Bacharach song (as the b side):
but also this great collaboration with Jamie Cullum and the Swingle Singers (posted on the grounds that, wisely, not everyone sits through the Royal Variety Performance):
The first time I heard the intro to Slow, it stopped me in my tracks, just as it did for millions of radio listeners a few months later. It is a manifesto as well as a very affecting relationship song. I love the story of how she met her manager Kwame Kwaten and how she was given the time and space to develop by producer Steve Brown. I love the moral of Rumer’s breakthrough: if you persevere, you can overcome any number of hurdles - as long as your music is outstanding.
Joe writes: Two of my favourite tracks are called A Song For You and it turns out there's a link between the two.
First, Gram Parsons again. For me, his four classic compositions are Hot Burrito #1 (AKA I'm Your Toy - see below), Hickory Wind, Return Of The Grievous Angel and A Song For You. Then there's Wild Horses which is credited to Mick Jagger and Keith Richards but Gram is rumoured to have co-written. There was more than one controversy over credits in Gram's short career as this article about Hickory Wind suggests.
Robert Sandall's interview with Emmylou Harris says "The last time they spoke, Parsons phoned (Emmylou) to tell her that her favourite track from their recent sessions had been left off the Grievous Angel album but would definitely feature on the next". What was that song, I wonder? Presumably it's one of the Emmylou duets on the posthumous Sleepless Nights album.
The other A Song For You was immortalised by Donny Hathaway, an artist who, like Gram Parsons, died too young. But it was written by Leon Russell who has also recorded Wild Horses, so there's your link with Gram. Leon also wrote Superstar, one of my two favourite Carpenters tracks (the other being Goodbye To Love) - what a songwriter.
Donny Hathaway has legendary status in some quarters but is barely known in others. That's starting to change thanks to lyrical name checks from Wyclef Jean and most notably Amy Winehouse. I was recently discussing him with James McMorrow, a new artist from Dublin whose voice is pure magic. Donny's A Song For You is one of James's favourite tracks of all time too, and I'm sure he loves Gram Parsons as well. James told me that it was the greater success of Stevie Wonder that drove Donny to suicide. I don't know whether this is true, but if so, at least he didn't live to hear Ebony & Ivory.
Joe writes: Many an mp3 blog has already featured the beautiful track that is Funeral by Band Of Horses, but this is surely the first mp3 blog to point out the similarity with Freakytime by Point Break.
Point Break's subsequent single What About Us was glorious too. If Freakytime had been their first single and What About Us their second, I think they would both have been number ones. Unfortunately they released two other rubbish singles first so it was an uphill struggle by the time Freakytime came out. Mind you, Angels by Robbie Williams overcame similar circumstances.
Joe writes: Haven't fully digested the Kanye album yet but the opening hook "Can we get much higher?" is brilliant. Is it sample? Does anyone know what from?
Phil writes: This is one of many excellent songs that passed me by during a decade when I had priorities and preoccupations - work and kids mostly - that made it difficult to keep up. Great song, great voice, great sound. I finally heard it on the excellent Vintage TV channel.
I particularly like that catch in her voice every so often - somehow reminds me of the amazing Martha Wainwright, as does the climax of the song.
Joe writes: The first record I remember buying (as opposed to having bought for me) was Prefab Sprout's Nightingales/The Early Years EP on 7". It took me a while to get into it but they were possibly my favourite band for a long time.
The A side featured a harmonica solo from Stevie Wonder.
The B sides were two early singles, released in 1982, prior to their first album Swoon (which is my favourite Prefab Sprout album).
I was going to post The Devil Has All The Best Tunes and I even went to the trouble of ripping it from vinyl. But, although it's quite charming, I would mostly have been posting it because of the title and it doesn't qualify amongst the world's greatest music.
Maybe Lions In My Own Garden (Exit Someone) doesn't either but it did signal the arrival of an incredibly ambitious group who sometimes fulfilled that ambition.
Joe writes: Excellent Canadian rapper Shad samples the Lynn Anderson hit on his single but my favourite cover of the song is still this one by The Suicide Machines.
The song was written by Joe South who also wrote Hush as recorded by Deep Purple and Kula Shaker.
I'm pretty sure it was Puressence who graffittied their name all over Manchester city centre before they were signed. This didn't endear me to them and nor did their first album, although I would probably hear something good in it if I listened again now.
I thought their second album Only Forever was great and should have made them one of the line of massive British bands that ran Radiohead, The Verve, Manic Street Preachers, Travis, Stereophonics, Coldplay etc. James Mudrickzi has a really excellent voice.
Joe writes: I really liked this song when Cheryl Cole did it but I've only just found out, thanks to the 902012 blog, that it was written by Ingrid Michaelson whose version is here:
Joe writes: It turns out that there's a link between the Roches and the Wainwrights - Lucy Wainwright Roche is the daughter of Suzzy Roche and Loudon Wainwright III. This is a good excuse to post my favourite recordings by Wainwright/McGarrigle family.
Martha Wainwright - Bloody Mother Fucking Asshole (iTunes). If there's one thing even better than a really sad song, it's a really vitriolic song. Awesome vocal too. Written about her father Loudon so something of an answer record to I'd Rather Be Lonely.
Loudon Wainwright III - Primrose Hill (iTunes). If you end up destitute in London, I recommend living on the side of Primrose Hill, at least in summer. It's nice.
How about this great Sinéad O'Connor track? I came to it by way of an excellent Joss Stone cover. Its starkness and power (particularly in the original) place it in a long line of political songs inspired by real events which goes back at least as far as Woody Guthrie and probably a lot further.
Not of course the only great song to mention Margaret Thatcher (jump to the performance at 4.01 if you wish but the discussion is unusually informative).:
Joe writes: Always was a great David Bowie song. The line "and if you say run, I'll run with you" is so brilliant and unexpected, musically.
There are two cover versions around at the moment but I prefer this one by M Ward from a few years ago (it doesn't seem to be on iTunes, probably because the artist is precious about it).
Here's Hi-Fi, a really good M Ward original (iTunes).
And here's a little-known Bowie track, It's Gonna Be Me (Amazon).
I read somewhere that John Lennon came on board late for Bowie's cover of Across The Universe, so they had to lose something from the Young Americans album to make way for it, and this was the track they lost. You have to be a really great and prolific songwriter and artist to leave out tracks this good. See also Sad Eyes by Bruce Springsteen (iTunes).
Joe writes: I love the idea of M.I.A. - the way she looks, the packaging, the lyrics, her and the fact that she is so cool - but I often find the tunes a bit disappointing.
But there's at least one track on the new album that is good fun and has crossover appeal - Paper Planes (iTunes)
Joe writes: Thanks to the group Beacons for introducing me to Hammond Song. It should be called If You Go Down To Heaven. It's really beautiful. The Roches are three sisters produced by Robert Fripp. Listening to it, I was convinced the group would be dead or reclusive but it seems they are back together and touring.
Phil writes: An appropriate time to post this amazing song. There was a decent enough piece about it by Laura Barton in the Guardian recently but she is too young to have been around when his great solo album appeared and to have experienced the shock of this track. There may be echoes of the 'Love Letters' riff but this is a unique and flawless number (and the other tracks are pretty stunning too):
Joe writes: Big thanks to Emma Kamen who this evening introduced me to Mick Jones (from The Clash, not the one from Foreigner) and then introduced me to this brilliant forgotten track Rhythm Of Life by Hugh Harris. What a day!
Joe writes: I did listen to the Villagers album but it's possible I didn't get as far track 10, That Day. Fearne Cotton just played it and it sounded great.
Joe writes: Whether you judge it influence or on quantity of great songs written, Paul Simon is one of the ten greatest artists of the rock 'n' roll era.
He also made a painfully accurate film about being a (fading) rock star, called One Trick Pony. It wasn't available for years but you can now buy the DVD on Amazon.com (you'll need a US or multi-region DVD player though). Here's a scene from it:
The soundtrack to One Trick Pony was possibly Paul Simon's least successful album but it's his second best, after Graceland - every song is a killer.
Rumer does a brilliant cover of Long Long Day from One Trick Pony:
While looking at Paul Simon videos on YouTube, I came across this joyous performance of Diamonds On The Soles Of Her Shoes. Brilliant dancing and even better music:
Phil writes: This was a recommendation from Amazon. Can't believe I hadn't heard of them before. Sensational! It's called The Banjolin Song. And this is probably not their best as it's just the first that came up on YouTube.
The last time I saw Charlie was at a Gurrumul showcase, having previously run into him at a Manu Chao gig in Paris and Joss Stone's debut performance. He was a man of taste and passion and he was very nice with it.
Joe writes: Once in a while, an artist comes along with echoes of acts from the classic rock era like Joni Mitchell or Fleetwood Mac or Roberta Flack or The Carpenters. The problem comes when you listen to their music back to back with an album like Blue or Rumours; they invariably fall far short.
Not so with Rumer. She is an achingly great lyricist; an intuitive, unaffected soul singer; a wonderful songwriter.
Her music is so good it makes me wince. She is up there with the best of them.
And to cap it all, she has the great taste to cover Long Long Day from Paul Simon's One Tricky Pony.
Joe writes: Steve Greenberg did a list of the 100 best singles of last decade. Steve has great taste and signed one of the singles of the '90s, MMMBop by Hanson. I agree with most of his '00s list - Ignition (Remix) by R Kelly was the single of the decade, narrowly pipping Crazy by Gnarls Barkley.
I also discovered a couple of great tracks through Steve's list:
Some singles of the decade that weren't in Steve's list: * Dry Your Eyes by The Streets * In My Place by Coldplay * Chasing Cars and Run by Snow Patrol * Where Is The Love? by Black Eyed Peas * Bleeding Love by Leona Lewis * Push The Button by Sugababes * Dance Wiv Me and Bonkers by Dizzee Rascal * Sex On Fire by Kings Of Leon * It Wasn't Me by Shaggy feat. RikRok
Phil writes: I've not really listened to Joan Armatrading's recent work. I guessed we'd know about it if it came anywhere near her early stuff and I wasn't encouraged by hearing a recent interview where she said that her last album was a blues one and now she'd wanted to do a rock/pop one - surely the point about her best work (and this, I think, is her best) is that it is utterly unclassifiable:
Phil writes: I was introduced to both by my son, some years ago now. Both made an immediate impact and are amongst my all-time favourites. 'The Dance' has featured on the blog before but you there will be people out there who will be hearing it for the first time:
It seems strangely unavailable on Amazon or iTunes.
This is not the best version of 'Moment of Forever' and Kris's voice, never his greatest asset, is not in great shape these days but it's still wonderful:
Phil writes: I've been a Streisand fan ever since I bought 'The Barbra Streisand Album' soon after it came out. This is remarkable. The song is unusual but you can't point to anything particularly great about the music or lyrics. Could anyone else produce such a great performance?